I’m working myself silly on a fantastic costuming gig for Movement Lab dance studio in Toronto. I’ve known the director Ann-Marie Williams through the dance community for years, our paths crossed as students and professionals dancing and administrating our favourite art form! So when she asked me to do all the decorating pieces for the basic tutus and bodysuits she had for her show I jumped at the opportunity.
No frilly, nauseating princessy-ness here, no ma’am! All the pieces are being made from felt, glorious felt! Wherever possible, the pieces (like the gold fish above) will be attached to a brooch pin or a barrette or a headband so that they can also be used afterward, separate from the costume.
I’m off to a good start and will have some finished pieces to share next week. Now back to the machine with me!
I finally finished the bird-patterned quilt I’ve been planning and working on over the past few months. This was the project that kept getting bumped aside for other more pressing matters and crafts. But its time has come! I present the Birdie Quilt and Burping Pad Combo.
I plan to carry this set on my Etsy store when I’m up and running in the summer, so the next step is to make some more sets. I am so happy with how this design came out. I like the big, chunky blocks and have always been attracted to baby stuff made with strong colours and a pattern that’s not so common.
Unfortunately in my photos you can’t really see the leaves sewn into the black blocks on the quilt, but they’re there! I am slowly increasing my photographic skills because of this blog, but the black fabric stole the light and I couldn’t find it. Will experiment more, am open to suggestions …
On the simple, flannel side of the burp pad and the blocked side of the quilt I used green thread so that the quilted leaf design would stand out. It’s fun to quilt this pattern free-hand on the machine, reminds me of painting or sculpting. Probably my favourite of the process!
The busy side of both pieces is stitched with white thread. The leaf quilting almost needs to be felt to be seen amidst the birds and foliage. I hope the detailing invites fingers to touch and baby cheeks to rest peacefully.
I’ve been reading and thinking about pricing and perceived value. Burping pads, my speciality, are just not that cost effective. The ones I make are relatively labour intensive but there’s a limit to what people will pay for such things and it’s not a lot more than a super fancy latte! I see a lot of sewers undervaluing their work on Etsy, burping pads for as low as $2.50 with a median of about $8 per pad, which I find totally ridiculous and frustrating. I think it may be one of the great failings of such a platform, that value gets diluted with uneducated or timid artisans not really understanding how to value their work. Because mass-produced brand names versions often go for close to $20 per pad! Anyways, I’m slowly working on the math to find the sweet spots for pricing my work.
The idea to pair a pad with a quilt is something I’m going to try since consumers seem to be willing to pay more for a quilt; perhaps the overall square footage of the item persuades them?! And I like the idea of these 2 items together, perfect for a new baby gift. My slow advance on cottage industry continues …
PS: I wrote this entry with a sleeping 8-month-old draped across my arm and lap. My wrists have been performing acts contortion in order to type! Insane perhaps, but I find that getting my blog post ready the night before is more enjoyable and practical for the most part. It’s just too hard to get a long chunk of time at the computer amidst the littles and isn’t fair to them. And I really am enjoying blogging, it’s helping me keep on some kind of task creatively I am surprised by how much I enjoy the act of writing and sharing here. Over and out.
When I married Adam in the fall of 2003, I knew that I wanted to do something handmade and and not too kitschy. I decided recipe books would be sweet and doable for 70-odd guests. My friend Lindsay Zier-Vogel had been making hardcover art books for a while at that point and taught me how.
We filled the pages with recipes from a lot of the important women in our lives, moms and grandmas, aunts and godmothers. And it was very appropriate since we had a potluck wedding, which was best borrowed idea ever, cost effective and perhaps more important, it lent a real sense of community to the event, people went all out and made beautiful contributions for the dinner.
I had a great time with myself, picking out paper and working late nights in our cozy basement apartment, typing, paginating, measuring, cutting, stitching and gluing while Adam coached basketball. If he didn’t know before, that project must have showed him just how serious about handmade-craftiness his lady was!
Almost 9 years later I still use our wedding recipe book regularly, it sits on the shelf with our other recipe books and boxes. When I open it I see the names of women near and far, here and gone who are dear and essential to us and I can conjure them by cooking up a little goodness from their own kitchens.
My 4-year-old son has 2 very excellent friends who happen to be girls. Their moms and I have become bosom-buddies through our kids and all 3 of the widgets take creative dance together at The School of Toronto Dance Theatre’s Young Dancers’ Program. I adore having 2 boys and no girls, absolutely no regrets. But I myself am a girl, and I really do love me some cute little skirts and dresses now and again. So I just have to buy or make them for Rudi’s friends when the spirit moves me (he’s long-since informed me that girls wear skirts and dresses, the gender-differentiation train has left the station). And girl birthdays create opportunities to make delicate, girlie things that I cannot resist!
Above is a little fairy-princess dancing skirt to flit through imagination-land in. I used a section off an extra set of $6 Ikea net curtains I have lying around and raided my extensive ribbon collection. And ric rac. I do so love ric rac, I aspire to expand my on-hand collection. I love making something that’s princessy but not Disney-princessy (shudder). Just generally wafty and floufy (technical terms, I’m all about them), cause really, it’s all about how that fabric feels when it grazes your legs, that’s what makes me feel the most magical or royal anyways.
Then of course one needs a general sceptre or wand at hand. This one I made for the princess and pink loving friend of Rudi’s — error, I had no pink felt so I went with purple. This was not the best choice but I think she may accept it eventually! I had to add the orange star ribbon for a bit of sass. Reports are that her 3-month-old sister is mesmerized by the ribbon movement, unexpected bonus!
And lastly, for Rudi’s friend who loves purple and dolls (she’s always got one in tow and cares for them like her own kids), I made a little sleeping bag and pillow set. It was so much fun and took me back to the days when I’d envision, concoct, create and finish a project over the course of a lazy weekend day as a kid. Back when a day 0ff seemed endless and rolled past slowly and deliciously, ripe with possibility.
I guess that’s what it comes down to when I sew for girls specifically, it’s a little trip down memory lane, close to my heart and my own experience.
That’s right, now you can order your very own Veggie Vag mug!
After a recent post about my editing/writing trio and our fictitious company Veggie Vag a number of people said they loved the mug so much and wanted one. So I thought I’d make them available on CafePress. Now you too can drink your coffee in … style?! And you’ll feel the eternal love of the Veggie Vag and our faithful Dane. Much respect to Veggie-Vagger Christa Couture for the inspired design.
I am going to bypass my usual Rearview Fridays post (where I look at an old craft/dance/sewing/you-name-it project of mine) and simple offer up my absolute love for dance. Because on Sunday, April 29th, before I blog again, it’s International Dance Day!
This is a picture of me in a solo I performed during the last year of my college dance program at The School of Toronto Dance Theatre. Titled The Illegibility of ThisWorld, the workis by eminent Canadian dancer/choreographer Julia Sasso. She created this solo on me. It was a fabulous, physical, performative challenge, I revelled in each intense performance in December 2001. photo is by David Hou.
Below I’ve posted this year’s International Dance Day message by Flemish Moroccan choreographer Sidi Larbi Cherkaoui. It’s thoughtful, beautiful message that encompasses all that I believe to be true of dance.
I encourage you, as you’re passing through your weekend, to add a little skip or gallop into your walk to the park, to stop for a kitchen dance party or just break it down old school styles in the grocery aisle — make a scene, celebrate dance!
Through time, through the ages, what endures is mostly art. Art seems to be everything humankind leaves to its heirs – whether through buildings or books or paintings or music. Or movement, or dance. In that sense, I think of dance as the most current, the most up-to-date history lesson, as it is in a constant relationship with its most recent past and can only happen in the present.
Dance also, somehow, does not acknowledge borders in the same way as many other arts. Even when certain styles try to limit themselves or work within a frame; the movement of life, its choreography and its need for flux: these take over very quickly, allowing certain styles to mingle with other. Everything engages with everything, naturally, and dance settles only in the space it belongs to — that of the ever-changing present.
I believe that dance may be one of the most honest forms of expression for us to cherish: because when people dance, whether in a ballet performance, a hip-hop battle, an underground contemporary show or just in a discotheque, cutting loose, there are seldom any lies deployed, any masks worn. People reflect each other constantly, but when they dance, perhaps what they reflect most is that moment of honesty.
By moving like other people, by moving with other people and by watching them move, we can best feel their emotions, think their thoughts and connect to their energy. It is, perhaps, then that we can get to know and understand them clearly.
I like to think of a dance performance as a celebration of co-existence, a way to give and make space and time for each other. We tend to forget this, but the underlying beauty in a performance is that it is primarily the convergence of a mass of people, seated one next to the other, all sharing the same moment. There is nothing private about it; a performance is an extremely social experience. All of us assembled for this ritual, which is our bond with the performance, our bond with the same present.
And so, in 2012, I wish everyone lots of dance. Not to forget all their problems of 2011, but on the contrary, to tackle them creatively, to dance around them, to find a way to engage with each other and the world, to engage with life as part of its never-ending choreography. Dance to find honesty and to transmit, to reflect and to celebrate it.”
April is flying past me, like a train with cars bearing birthday, Easter, bathroom-construction, birthday, teething-fever, bathroom-construction, sewing-gig, taxes, birthday, sewing-gig, birthday, teething-fever, bathroom-construction and so on — whip, whip, whip, blurring my vision and leaving me gasping!
Before the month is out, I need to add April’s quilt square to my 2012 Quilting Challenge. I really had no ideas but then as I was hemming pants for a costume gig the other night, it hit me out of the blue that an umbrella would be sweet! And so it is, particularly on this fabric that almost looks rainy. I’m so charmed with this one and excited to use it on burping pads and quilts.
This post is in praise of the dreamers and creators. The brave ones and silly ones who still play house and superheros and make mud pies when they’re adults. It’s also a little love story to 2 great friends of mine …
(L to R) Christa Couture, Maria Kendal, Susan Kendal, James Kendal and Lindsay Zier-Vogel at Susan's wedding in September 2003. Photo by Rhya Tamasauskas. Christa, Susan and Lindsay are the charter members of their company Veggie Vag. As far as we know this is the only photo of all 3 of us together since we are rarely all in the same place at the same time. What a shame! We'll do a shoot next time we're together. Though we are all very young and foxy in this one ...
I am fortunate to be surrounded by folks who are bursting with imagination, the kindred spirits that Anne of Green Gables was always keeping an eye out for. There are 2 such friends with whom I am having a most excellent, ongoing “practical-make-believe” adventure — Christa Couture and Lindsay Zier-Vogel, wonderful women and artists in their own rights, musician/designer and writer/book-maker respectively ( check them out, they are extraordinary).
And what is our awesome practical-make-believe game? We have a “company” called Veggie Vag. It sounds just rude enough that it makes us giggle, hard.
We even have a logo that Christa, in a fit of procrastination, sass and hilarity, used her graphic design skills wisely (?!) to create a few months ago:
Veggie Vag started about a year ago. You might ask, is it about vegetables? Or, is it about vaginas? Both would be fair questions. Veggie Vag is not really about either, other than the fact that we’re all ladies. And we do like veggies. It’s really mostly about editing. And being friends across miles of space and life. And being hilarious to ourselves.
We were all busy with applications, building websites and so on (the usual) around this time last year and were often editing for each other, enjoying getting the value of 2 perspectives on our work. We started to joke that we were like a collective. Then we decided we were a collective, which meant we needed a wicked acronym. Christa came up with both, she’s the most clever of us, hands down. VEG was first, it stands for “Virtual Editors Group,” which was funny and accurate. But then she said wouldn’t it be more awesome if we were authors — well, Lindsay actually is an author — then we’d be the “Virtual Authors Group,” ahem, VAG, which was infinitely more funny than veg. Put them together and we are really, virtually (as it were) the unstoppable Veggie Vag!
The cool thing is that between the 3 of us we’ve edited grants and “About” pages and difficult emails and cover letters. I got an amazing logo by being a member (thanks Christa!) and we’ve all had a lot of success with the things we’ve edited for each other. Not only do we have this ah-mazing faux company together, we are quite useful to each other. Keeps us in regular contact too, which is brilliant!
Here’s what my co-founders have to say about Veggie Vag:
Lindsay Zier-Vogel: The Veggie Vag is an editing machine, a sounding board, a safety net and cheerleading squad. It’s a place to daydream and blue-sky and hammer out details. Every grant and proposal and project description that passes through these diligent hands is all the better for it. It’s a thoughtful and hilarious editing collective that keeps three of us closer than I ever could’ve imagined. Whoopi, Cate and Julianne should be so lucky to play us in our biopic …
Christa Couture: What started as occasionally asking friends for editorial advice grew into a collective, not quite formal, but steadfast and dedicated, of three women supporting each other’s work. My own work is better for the input of the Veggie Vag, and I love being up to date with, if not also being helpful to, the work of my co-Vag-ers. The Veggie Vag is friendship and artistry combined — a team of writers, thinkers, brainstormers, schemers, planners and best of all cheerleaders … cheerleaders in yellow pant suits and berets. Or spandex. Depending.
[IMPORTANT ASIDE: With “yellow pant suits and berets” Christa’s referring to Je M’appelle Steve, a brilliant YouTube clip we at Veggie Vag like to watch over and over til we cry with laughter. The more you watch it, the funnier it gets.]
Veggie Vag even has an assistant! His name is Dane. Dane Joseph McKellen. He’s fabulous. He’s shower fresh even at 4pm. He anticipates our needs. Dane shows up with a latte just before you realize you need one. Dane reminds you of impending deadlines and copies all the grants. Dane keeps extra mascara and tampons in his desk drawer. Dane orders Thai when you’re working late. Dane put fresh flowers on your desk and clears the boardroom air with aromatherapy.
I could go on and on about Dane, he’s a gem. Dane even has a twitter page, of course, @daneofalltrades. If you’d like to check him out, drop him a line to tell him he’s doing great or ask for some wardrobe advice, do it! But don’t try and lure him to your company, he’s ours and is as loyal as the day is long.
I got mugs made for our 1st anniversary this month. Dane reminded me that it had been a year since we named ourselves and signed the lease on our excellent, 2,800 square foot downtown Toronto loft offices. He suggested that mugs would be particularly classy. I agreed. And every morning I drink tea and think of my Veggie Vag ladies, standing by should I need some extra eyes and perspectives. Or a laugh. Or commiseration.
I am a dreamer. I love imagining and make-believing and creating — so much so that artist and creator became my profession, it seemed inevitable and obvious to me from a young age. I choreograph and dance, I make and inhabit worlds and ideas of my choosing and construction. I sew and craft, imagining and creating what I hope or suspect might work in fabric or paper.
I also spend a few hours teaching creative dance to wee kids each week, which allows me to gallop as a horse, swirl as a wind storm, dart as a fish. It’s a space to remember the fantastic, immense imaginations we are born with. That we have the capacity to believe the impossible into all-sorts-of-possible at our start, but often squelch or embarrass or forget that faith right out of ourselves.
Cheers to make-believing, even, or perhaps especially when you’re an adult. That’s it for this Veggie-Vagger, over and out.
This may be the oldest project of mine that I ever manage to feature here on Rearview Fridays! It’s a doll I made for a high school project, circa 1994. I remembered her when I featured a couple of other dolls I’d made a few years ago on a recent Rearview Fridays post. I can’t believe she’s in such good condition and that I’ve managed to carry her with me all these years.
May I introduce, Juliet Capulet:
In Alberta’s grade 10 English curriculum, Shakespeare’s Romeo and Juliet was par for the course. I had as awesome English teacher, Mr. Young, hands down the most inspiring teacher of my high school career. He was a great juxtaposition of art and jock. He’d been a wrestler in his youth, injuries sustained made him walk with a roiling gait, and he had these giant forearms. He was also passionate about basketball, running a huge national invitational basketball tournament every year. On the other hand he taught English, was the head of the department, and ran the school’s Shakespeare Club (of which I was a member of course). And he was utterly passionate and practical about language and stories and history.
Every year he assigned one project where we could do anything BUT write an essay. Our teenage-minds were blown! It was an arts high school, called Victoria Composite High School at the time and we were exploding with creativity. The excitement was palpable for this assignment in the 10AP class. I think I learned more about Shakespeare and Romeo and Juliet and their times because of this project. I researched clothing, costumes, hair, payed close attention to the details of the play. One girl made a dance film, monologues were performed, a guy even forged a sword. Forged a sword! I made a Juliet doll — shocking, I know.
As I look at her today, I am amazed at my 16-year-old self. I started with a basic Waldorf doll, which I figured out myself by looking at other ones. I remember being so proud of how her eyes came out, painting lips and irises with such care. I picked natural fibres like cotton, wool and cotton velvet, dyed the fabric for her skin with tea, did a lot of the stitching by hand. Her hair is black cotton yarn, thick and waist-length. I crocheted burgundy lace for her dress, I even crocheted a snood, a freaking snood! I want to squeeze my overachieving, unstoppable self from 1994, tell her that she’s awesome. That she shouldn’t take the next 16 years to really feel comfortable in her skin because she’s great, extraordinary as is.
Juliet has a little lace and cheesecloth slip that ties at the back, it’s so sweet and innocent. Her dress is rich and heavy and closes with hooks and eyes at the back. Then to top it all off there’s a secret pocket under the top layer of the dress with a wee foil dagger and a corked foil vial, which, of course, has green beeswax in it so if you uncork it you see “poison”. Of course. Cause I like details. Ahem.
Mr. Young really believed in me and encouraged my shy, unsure self to trust my natural writing abilities. I am still surprised that I ended up working as a writer editor and administrator at a magazine for over 10 years without planning or training in that direction, but I think a lot of it has to do with some seeds of trust and inspiration planted in me by Mr. Young. I am forever grateful.
I’m also amused to remember that I simply am a creative creature, it’s who I’ve always been and who I am delighted to continue to be.
April has been rife with birthdays among our family and friends. Including my husband Adam’s. We’ve been together for 11 years now, so while he’s easy to buy for in some ways (scotch is a good go-to), the creative lady in me always tries to do or get something crafty and handmade for him, something special and unique, unpredictable. I’ve made flannel pants with a cool basketball print, knitted iPod cases, sewed an amp cover and so on. But honestly, I find man gifts tough. I was stumped and running out of time this year, so I perused Etsy! I found a fantastic blacksmith named Benjamin Westbrook, and his shop hammeronsteel, who forges lovely, simple, rough-hewn bottle openers. Amazing! I was sold! And Adam loves it (hurray, victory!) so I had to share in case anyone else out there is struggling for an awesome man gift.
I got the opener personalized with Adam’s last name and the dates of our boys birth. It’ll be a keeper at the cottage in the summer for long lazy days full of sweaty beer bottles, dirty, content kids and that true far-from-the-city quiet that’s not really quiet at all! Sigh.
— — —
I continue to work towards opening an Etsy shop of my own with a projected opening date of August this year. I’m waiting to build up some stock, get my tagging and mailing and tracking, etc all organised so I can hit the ground running, and do some fall craft fairs too. Also to spend Gene’s whole first year without a bunch of hard deadlines since I have the grace of a maternity leave.
That said, I got an order for my, ahem, awesomeBurp Pads from a friend and I thought I’d take the opportunity to design and make some product tags when I sent her order out. Here they are drying from being stamped. I had to go with a pocket shape of course!
I used clear labels to put the product info on the back of the tag. It’s my first time using them and I am in love, they look so clean and profesh!
And lastly, I made little Lavender Ravioli Sachets to include in my orders as a thank you. Lavender feels like the right choice with baby things, so calming and great for keeping clothes and linens fresh. Even acts as a natural moth repellant!
One thing that I love about receiving orders from Etsy craftspeople is that often they will toss in a memento or small sample of another product. It’s memorable and sweet and I love the neighbourly feel it gives as a recipient. So I’m going to join the ranks, and it’s a great way to use the ends of flannel that I hate to toss!
