Category: About

Nugget of Awesome Interviews: Lindsay Zier-Vogel

I’ve been tossing around the idea of doing a series of interviews with some lovely creative types I want to share with you. Since I’m heading to Alberta this summer maybe I have gold rush on my mind, but truly, each of the women I’ll feature here is a golden nugget of excellence in the career she’s carved out for herself!  Therefore, I am delighted to present the inaugural:

Pocket Alchemy Nugget of Awesome Interviews: eight  interviews with eight inspiring, artistic, self-starting women over the eight weeks of summer. I am proud to call each of them friend and am delighted to share them and their work here. Please note that I am replacing my regular Rearview Fridays posts with these interviews over the summer.

THE INTRODUCTION

Lindsay Zier-Vogel in her workroom. Photo by Joel Yum.

LINDSAY ZIER-VOGEL is my most familiar and regular artistic collaborator. She is also a wicked friend to me and an amazing cheerleader in both joy and trouble. We met in 1998 at The School of Toronto Dance Theatre where we studied together for 3 years. Lindsay hired me as a dancer, my first professional gig, in her dance work September Sentence. Since then I have made costumes for her, she has made choreography on me, we’ve made dances together. I edit her writing, she taught me to make books, we had a line of clothing together called Puddles in my Pocket (a combo of her Puddle Press and my Pocket Alchemy and yes, the acronym is P.I.M.P. We didn’t realize…) We taught workshops in schools on combining poetry and dance, we even rocked that workshop at Hillside Festival a couple of times! Whew. Lindsay’s an absolute force to be reckoned with, she’s got verve.

THE BIO

Lindsay Zier-Vogel is a Toronto-based writer, arts educator and bookmaker. She studied contemporary dance at the School of Toronto Dance Theatre and completed at Masters of English at the University of Toronto.

Lindsay Zier-Vogel hosting her The Love Lettering Project at P.S. Kensington in Toronto, May 2012.

She is currently working on her second novel titled “The Opposite of Drowning,” where 20-year-old Bea Porter confronts grief as a lifeguard on the edge of Lake Ontario.

Lindsay has written text for various dance pieces including Susan Kendal’s Organ Stories and travelled to Saskatchewan for a three-week creation residency for Shannon Litzenberger’s HOMEbody.

Lindsay teaches writing and book making workshops and is the creator of The Love Lettering Project, a one-of-a-kind community-based love letter art project that was featured on CBC Television’s The National and deemed one of the top 50 reasons to love Toronto in Toronto Life magazine.

THE INTERVIEW

Pocket Alchemy Question: Tell me about your artistic work.

Lindsay Zier-Vogel:  I do a bunch of different things – I’m working on a novel about a 20-year-old lifeguard named Bea, and have been writing the “scripts” for a bunch of dance performances this year. I am the creator of The Love Lettering Project, a community arts project that gets people writing anonymous love letters to their city. I also make limited edition hand-bound books and a Toronto Brunch Map.

I like juggling a lot of different projects as I find they often end up informing each other. I also love creating tangible “things” – books, baked goods, anything I can hold in my hand as novel-writing is a lot of sitting in front of a computer time.

PAQ: what is currently sparking your imagination?

LZV: Lake Ontario. I live close by and have set my current novel on its edge. I love that it looks like an ocean if you stand in the right place. I love how the light shatters off its surface. I love that it can blend seamlessly with the sky. I love that it is deep and dark and filled with seaweed and eels, and also swimmable.

And in terms of paper-y creations, my deep, deep love for this city [Toronto] I live in. For this year’s love lettering project, I’ve been hearing about what hundreds of strangers-to-me love about this city. It inspires me to no end.

PAQ: How do you structure and manage your days/weeks/months to get it all in? Do you have micro/macro plans that you stick to?

LZV: I write every morning, which means I have to get up way before I’d like to, but it’s when I get my best writing done, so sleep be damned. I also go (in my pjs!) to a coffee shop around the corner that has no internet, which helps me stay focused. I’ve also realized that I write in the mornings because I want to do the thing I love most before I do anything else. Even if the rest of the day goes sideways, I will have done the thing that matters most to me right off the top. I use evenings post-work to juggle grant-writing, website updating and love letter admin work.

I wish I had more of a plan, but I have an agenda that doubles as my Bible and I make sure it’s always as up-to-date as it can be to avoid double booking events. Sometimes looking at it gives me a panic attack, especially this last June.

I also try to make sure to write in upcoming grant deadlines a few weeks early to get the ball rolling early. Really, I just end up shoehorning in the time when it’s needed. Most of the time, I’m a little stunned and amazed that it all gets done…

PAQ:  What is a current favourite resource or material?

LZV: Writing wise, it’s just me and my computer (with a side order of a mushroom identification book as my main character and her grandmother like to go mushroom hunting), lists of Rush songs (as Bea’s boyfriend is a big Geddy Lee fan) and an old lifeguarding manual (as Bea’s a lifeguard on the shores of Lake Ontario).

But for book making and love lettering, I’ve fallen in love with washi tape from The Paper Place. I also love love love the Nepalese paper they carry there. The colour is so rich and the paper itself is so forgiving – you can sew it, and bind books with it. I love teaching with it, because it’s just so kind to first time paper sewers and bookbinders.

PAQ:  Give me 4 great songs to work to!

LZV: I don’t often listen to music with lyrics when I’m in the creation phase of writing, though I started my novel listening to Bon Iver’s For Emma, Forever Ago album and The Department of Eagles’ In Ear Park album on repeat, so anything from either of those albums immediately get me working again. But for editing, sewing, book making and general crafting, I need music to keep me going.

Lindsay Zier-Vogel letterpressing. Photo by Jenny Lederer.

My non-stop working song right now (that’s perfect for editing/website-updating/kitchen dancing/watering the plants/etc) is Christa Couture’s newest single You Were Here In Michigan. I love that it references the creative process.

Whitehorse’s Emerald Isle is also perfect for working to. And sometimes, when it’s time to really buckle down, I put a ponytail on the top of my head (my “powertail”), put on my running shoes (strange, but it really makes me work faster!) and crank some Bring Da Ruckus by Wu-Tang.

PAQ:  What about your work keeps you up at night (for good or ill!)?

LZV:  Transitions! In the early days of novel writing, the “who” of my main character Bea kept me up at night, and then questions about her nan, and her boyfriend, Malcolm, but these days it’s transition – how to move Bea from one chapter to the next without losing key bits.

PAQ:  How has your aesthetic evolved over the years?

LZV:  I feel like you can answer this better than I can – you’ve seen everything from those early angsty hand bound poetry days I photocopied on the photocopier at my Parks and Rec job to now.

THE WRAP UP

Check out Lindsay Zier-Vogel and her Love Lettering Project, you can follow her inspiring projects and events on both sites. She’s out and about in the Toronto area this summer presenting The Love Lettering Project, I highly recommend it as a great city activity. And you might just catch some of her infectious, brilliant enthusiasm!

Twitter: @lindsayzv

The Love Lettering Project

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Check out the other Nugget of Awesome Interviews:

July 6th: Christa Couture

July 20th: Bess Callard

July 27th: Quinn Covington

August 6th: Michelle Silagy

August 10th: Siobhan Topping

August 17th: Jennifer Dallas

August 24th: Susie Burpee

Nugget of Awesome Interviews: Christa Couture

I’ve been tossing around the idea of doing a series of interviews with some lovely creative types I want to share with you. Since I’m heading to Alberta this summer maybe I have gold rush on my mind, but truly, each of the women I’ll feature here is a golden nugget of excellence in the career she’s carved out for herself!  Therefore, I am delighted to present the inaugural:

Pocket Alchemy Nugget of Awesome Interviews: eight  interviews with eight inspiring, artistic, self-starting women over the eight weeks of summer. I am proud to call each of them friend and am delighted to share them and their work here. Please note that I am replacing my regular Rearview Fridays posts with these interviews over the summer.

THE INTRODUCTION

Christa Couture. Photo by Jennifer Picard.

CHRISTA COUTURE is my oldest friend — I’ve know her for 29 of my 34 years, truly amazing. And we happen to share a birthday though I’m a year older, which used to see like an advantage but now, well, I’m simply closer to 40 than her, ha ha on me. Christa is awesome, she defies words. Her primary artistic work is music and I often have her on repeat when I’m cooking or sewing making the miles between us fold up. Of course I have to be biased, but honestly, I just really enjoy her music. As a person and an artist Christa’s stories make me laugh til I snort and equally turn me inside-out with grief. Her wit is ferocious, her bravery and trueness are unparalleled.  PS: Christa’s also a great graphic designer. In fact, she designed my logo!

THE BIO

From the start, Vancouver’s Christa Couture established herself as a singer-songwriter with sharp-shooting wit, effortless grace and heart-on-sleeve intensity. Since her critically acclaimed debut album, FELL OUT OF OZ (2005), and her sophomore record, THE WEDDING SINGER AND THE UNDERTAKER (2008), she has explored intimate spaces with a frank confidence that avoids cliché and melodrama. Her “gorgeously intimate voice [is] somewhere between the tough vulnerability of Amy Rigby and the passionate, sophisticated folk of Joni Mitchell” (Pop Matters), while Tandem (Toronto) predicts she “could be the next Canuck to enjoy the success of Sarah Harmer or Kathleen Edwards.” 

THE WEDDING SINGER AND THE UNDERTAKER hit the Top 10 on CBC Radio 3 and won Best Folk Acoustic Album at the 2008 Canadian Aboriginal Music Awards. Couture was also nominated for Best Female Artist and performed at the awards gala at Toronto’s Rogers Centre, which was televised nationally on CityTV.

After a two year hiatus to have her second child, Couture returned to work with the digital release of two new EPs in June 2011. LOVED featured five fan favourites – a “best of” Couture’s songs from the past six years. LOST included five unreleased songs from the same time period – an alternate arrangement that got cut from a record at the last minute, three songs from a side project that was never released, and an early demo of one of Couture’s first songs.

2011 performance highlights included the Winnipeg Folk Festival, JunoFEST and Aboriginal Music Week in Winnipeg.

This year is shaping up to see this emerging artist take the spotlight with the release of her Steve Dawson produced, third full-length album, THE LIVING RECORD, in September and a cross-Canada tour to support it. Before that, summer 2012 will include festival performances at Aboriginal Day Live, All Folked Up in Montmartre, ArtsWells, Trout Fest and Desert Daze.

Christa’s new lyric video for her song You Were Here In Michigan, the first single from THE LIVING RECORD, was just released. The words and sketching are by her husband, artist Nick Lakowski. It was made with over 1400 photos and a lot of eyeliner!

[vimeo 45080595 w=500 h=281]

Christa Couture – lyric video “You Were Here in Michigan” from Christa Couture on Vimeo.

THE INTERVIEW

Pocket Alchemy Question: Tell me about your artistic work.

Christa Couture: At the best of times I’m a singer, songwriter and performer. That’s where my heart takes me, and sometimes it also pays the bills. When it doesn’t, I also enjoy work as a graphic designer, and as the editor at RPM.fm.

PAQ: what is currently sparking your imagination?

CC: My friends. I have really amazing friends who plant ideas in my mind all the time by also doing what they love and excel at.

Christa Couture at Winnipeg Folk Festival 2011. Photo by Myia Davar.

PAQ: How do you structure and manage your days/weeks/months to get it all in? Do you have micro/macro plans that you stick to?

CC: I make lists. My Google calendar is the big picture guide, an ever updated word doc on my desktop is the ongoing to-do list, and short term reminders get written on scraps of paper that get lost in a pile before they every get to fulfill their purpose.

PAQ:  What is a current favourite resource or material?

CC: Ukulele.

PAQ:  Give me 4 great songs to work to!

CC: Love and Anger by Kate Bush | Felling the Pull by Swell Season | Graceland by Paul Simon | Red Skin Girl by Northern Cree (A Tribe Called Red Remix).

PAQ:  What about your work keeps you up at night (for good or ill!)?

CC: The money it will take.

PAQ:  How has your aesthetic evolved over the years?

CC: Slowly.

THE WRAP UP

Check out the Christa Couture website for more info and links. She’s touring this summer and is so worth the listen, live or recorded. Christa will uplift you and wrench your guts, she will make you giggle and sigh … it’s a great ride. I’ll personally be watching her live on July 8th in Regina, SK during the 5th leg of my cross-country tour de family. So excited to see her in a city that belongs to neither of us! 

Twitter: @christacouture

Facebook: officialchristacouture

—

Check out the other Nugget of Awesome Interviews:

July 13th: Lindsay Zier-Vogel

July 20th: Bess Callard

July 27th: Quinn Covington

August 6th: Michelle Silagy

August 10th: Siobhan Topping

August 17th: Jennifer Dallas

August 24th: Susie Burpee

Wedding, Wedding, Wedding!

Yes. There are 3 “weddings” in the title. Not a mistake.Whew! On June 30th I was so honoured to act as Matron of Honour for my dear friend Jen’s wedding on Toronto Island. It was an exquisite, homemade, 100 mile wedding that went without a hitch. I made fun kits for the kids in attendance. I made the bags out of fabric that Jen had collected in Nigeria, hot glued the first initial of each kid on his or her bag with Scrabble letters (which I LOVE for crafting!) and stuffed them with snacks and age-appropriate toys, games and activities.

Then on July 1st, in addition to celebrating our nation’s birthday (O Canada, oh my!) we attended the wedding of another dear, dancerly friend. It was held in Dancemakers Studio theatre in Toronto, which was converted into a beautiful space for an afternoon cocktail wedding.

I helped plan and execute the decorations for this one, we tried to stay with the Canada theme without getting cheesy and I think we did well! We cut out hundreds of cream and white maples leaves and doves to hang from the theatre’s grid. I think the effect was magical as hoped!

I designed and made little red and white felt bags that got stuffed with custom-ordered M&M’s in red and shimmer pearl. And the tags were stamped with a maple leaf stamp I’d used for my own wedding invitations almost 9 years ago!

Lastly, I was so honoured to be asked to make a wedding dress for a dancer I’ve costumed a few times in the past. She’s a gorgeous woman and knew just the dress she wanted, a copy and formalized version of a dress she already had, a very vintage 50s looking piece. I am so proud of how it came out but will superstitiously only include a couple of details here til after the July 8th wedding, which is, of course, still to come!

And now I’m hittin’ the road Jack, making my way across the vast space between Toronto and Edmonton. I’ll be posting a series of interviews with amazing woman artists and entrepreneurs in the stead of my usual Rearview Fridays, so watch for that to start this week. And I’ll post some Road Reports as I’m able. Happy summer days all, may there be much long laziness.

Bonus shot: deliciously tired and dirty 10-month-old feet after all the wedding madness …

Pitching our Encampment Tents

My regular dance collaborator and dear friend Brittany Duggan invited me to join her in creating two tents for The Encampment by Thomas and Guinevere. I probably didn’t need one more thing to be involved in but oh, this has been so inspiring and intoxicating. And I have to share what we’ve come up with!

Unravelling Powdered Wig, detail shot (part of the William Powell tent). Modelled by Brittany Duggan, made by Susan Kendal. Tyvec, staples and scotch tape, 2012.

The Encampment (Toronto Version 2012) has been commissioned by City of Toronto for the War of 1812 Commemoration and Luminato, Toronto Festival of Arts and Creativity. It’s an art installation that will stand on the grounds of Toronto’s Fort York National Historic Site during Luminato from June 8-17. The Encampment will stay up at Fort York until June 24.

For The Encampment, 200 tents are being pitched to reflect the bicentennial of the War of 1812. Inside each one is an artistic interpretation of someone who lived and breathed during that period. It’s fascinating to walk around and see the care, curiosity and creativity rendered by the collaborating artists.

Our Anne Powell tent.

Brittany signed up to participate in The Encampment a while ago and has done an enormous amount of research on our two historic figures. That’s when she invited me to come along, brainstorm and create — um, that’s my favourite!

The historic people Brittany chose for us to interpret in our tents are:

Anne Powell (born in Montreal in 1787, died at sea in 1822)

William Dummer Powell (born in Boston in 1755, died in Toronto in 1834)

Our William Dummer Powell tent (with Brittany Duggan contemplating the work).

The Toronto Public Library’s Digital Archive has a beautiful drawing by William Dummer Powell showing proposed buildings at Caer Howell (the family house) from the 1830s. It’s location is listed “n. of Queen St. W., w. of University Ave.” If you know that area of Toronto try to stop and imagine it as bucolic as this, I am amazed at how different things looked 200 years ago! the image is in the public domain so I’ll include it here along with the link above, courtesy of the TPL:

Hometown, Heart and the Headstrong Baby

12 days ago my dad’s heart very nearly failed him. He lives across the country from me in my hometown of Edmonton and with this hard news came the clarity that I dearly wanted him to meet 8-month-old Gene. So Gene and I flew over the lakes and the prairies and I got to introduce my dad to his second grandchild. Happily, the docs were able to fit dad with a pacemaker/defibrillator and he’s back at home for now, heart ticking along.

In spite of it being an emergency trip filled with apprehension, it was so good to share my wee boy with my Edmonton family and friends. My own heart is overflowing with big sky and the big love of my amazing people there. Gene made some ridiculous strides in Edmonton, standing against things and cruising a bit, crawling for the first time and walking his little legs to get where he wants to go when you hold his hands. He is a ball of determination!

Edmonton was exploding with apple blossoms. I was lucky to catch those magic couple of days when the trees are full of their short-lived pink and white flowers:

I miss the wide Alberta sky. If you aren’t familiar with prairie skies, it’s hard to describe the amazing, shifting endless space. I don’t really miss it til I’m there and then I feel like I’m brimming with the aching familiarity of it.

I learned about chewbeads, silicone bead necklaces that are made to be chewed by babies yet look look like lovely, chunky jewellery, brilliant! My cousin was wearing hers so stylishly while her little guy held onto them with a vice grip, chewing and playing as we walked and caught up.

I went with the aforementioned cousin to the Duchess Bake Shop, a super fancy, high tea looking place, yet totally approachable and momma-with-baby friendly. We  ate and savoured and enjoyed our little boys, who are only 15 days apart in age. This made for an extra special, hilarious visit as we are both firmly in the midst of sleep deprivation, infant eczema, baby food and the glorious madness that is mothering an infant. The Duchess has a great ceiling, it mesmerized both me and Gene!

My cousin’s name is Tamsin, but we mostly call her Tam. And it happened to be her birthday! I opened my mom’s late 70s edition of The Joy of Cooking, found a delectable banana cake recipe and baked it up. Then I had a wave of brilliance and cut out the letters of her name in paper, sifted sugar over them and presto:

Lastly, my cousin adventures ended in a quilting shop. Oh dangerous deliciousness! She is a crafty fabric-a-holic also and we found some prints that simple could not be left behind. Here are my spoils:

And here I am, back in super-hot Toronto, somewhat jet-lagged. Back to my mothering of 2 and my sewing and my regular blogging. Happy week everyone!

The Veggie Vag Mug!

VEGGIE VAG MUGS!?!? 

That’s right, now you can order your very own Veggie Vag mug!

After a recent post about my editing/writing trio and our fictitious company Veggie Vag a number of people said they loved the mug so much and wanted one. So I thought I’d make them available on CafePress. Now you too can drink your coffee in … style?! And you’ll feel the eternal love of the Veggie Vag and our faithful Dane. Much respect to Veggie-Vagger Christa Couture for the inspired design.

In praise of dance!

I am going to bypass my usual Rearview Fridays post (where I look at an old craft/dance/sewing/you-name-it project of mine) and simple offer up my absolute love for dance. Because on Sunday, April 29th, before I blog again,  it’s International Dance Day!

This is a picture of me in a solo I performed during the last year of my college dance program at The School of Toronto Dance Theatre. Titled The Illegibility of This World, the work is by eminent Canadian dancer/choreographer Julia Sasso. She created this solo on me. It was a fabulous, physical, performative challenge, I revelled in each intense performance in December 2001.  photo is by David Hou.

Below I’ve posted this year’s International Dance Day message by Flemish Moroccan choreographer Sidi Larbi Cherkaoui. It’s thoughtful, beautiful message that encompasses all that I believe to be true of dance.

I encourage you, as you’re passing through your weekend, to add a little skip or gallop into your walk to the park, to stop for a kitchen dance party or just break it down old school styles in the grocery aisle — make a scene, celebrate dance!

 

Message of the 30th Anniversary of International Dance Day: Celebrate the never-ending choreography of life                                

By Sidi Larbi Cherkaoui

Through time, through the ages, what endures is mostly art. Art seems to be everything humankind leaves to its heirs – whether through buildings or books or paintings or music. Or movement, or dance. In that sense, I think of dance as the most current, the most up-to-date history lesson, as it is in a constant relationship with its most recent past and can only happen in the present.

Dance also, somehow, does not acknowledge borders in the same way as many other arts. Even when certain styles try to limit themselves or work within a frame; the movement of life, its choreography and its need for flux: these take over very quickly, allowing certain styles to mingle with other. Everything engages with everything, naturally, and dance settles only in the space it belongs to — that of the ever-changing present.

I believe that dance may be one of the most honest forms of expression for us to cherish: because when people dance, whether in a ballet performance, a hip-hop battle, an underground contemporary show or just in a discotheque, cutting loose, there are seldom any lies deployed, any masks worn. People reflect each other constantly, but when they dance, perhaps what they reflect most is that moment of honesty.

By moving like other people, by moving with other people and by watching them move, we can best feel their emotions, think their thoughts and connect to their energy. It is, perhaps, then that we can get to know and understand them clearly.
I like to think of a dance performance as a celebration of co-existence, a way to give and make space and time for each other. We tend to forget this, but the underlying beauty in a performance is that it is primarily the convergence of a mass of people, seated one next to the other, all sharing the same moment. There is nothing private about it; a performance is an extremely social experience. All of us assembled for this ritual, which is our bond with the performance, our bond with the same present.

And so, in 2012, I wish everyone lots of dance. Not to forget all their problems of 2011, but on the contrary, to tackle them creatively, to dance around them, to find a way to engage with each other and the world, to engage with life as part of its never-ending choreography. Dance to find honesty and to transmit, to reflect and to celebrate it.”

Veggie Vag: where make-believe and pratical collide

This post is in praise of the dreamers and creators. The brave ones and silly ones who still play house and superheros and make mud pies when they’re adults. It’s also a little love story to 2 great friends of mine …

(L to R) Christa Couture, Maria Kendal, Susan Kendal, James Kendal and Lindsay Zier-Vogel at Susan's wedding in September 2003. Photo by Rhya Tamasauskas. Christa, Susan and Lindsay are the charter members of their company Veggie Vag. As far as we know this is the only photo of all 3 of us together since we are rarely all in the same place at the same time. What a shame! We'll do a shoot next time we're together. Though we are all very young and foxy in this one ...

I am fortunate to be surrounded by folks who are bursting with imagination, the kindred spirits that Anne of Green Gables was always keeping an eye out for. There are 2 such friends with whom I am having a most excellent, ongoing “practical-make-believe” adventure — Christa Couture and Lindsay Zier-Vogel, wonderful women and artists in their own rights, musician/designer and writer/book-maker respectively ( check them out, they are extraordinary).

And what is our awesome practical-make-believe game? We have a “company” called Veggie Vag. It sounds just rude enough that it makes us giggle, hard.

We even have a logo that Christa, in a fit of procrastination, sass and hilarity, used her graphic design skills wisely (?!) to create a few months ago:

Veggie Vag started about a year ago. You might ask, is it about vegetables? Or, is it about vaginas? Both would be fair questions. Veggie Vag is not really about either, other than the fact that we’re all ladies. And we do like veggies. It’s really mostly about editing. And being friends across miles of space and life. And being hilarious to ourselves.

We were all busy with applications, building websites and so on (the usual) around this time last year and were often editing for each other, enjoying getting the value of 2 perspectives on our work. We started to joke that we were like a collective. Then we decided we were a collective, which meant we needed a wicked acronym. Christa came up with both, she’s the most clever of us, hands down. VEG was first, it stands for “Virtual Editors Group,” which was funny and accurate. But then she said wouldn’t it be more awesome if we were authors — well, Lindsay actually is an author — then we’d be the “Virtual Authors Group,” ahem, VAG, which was infinitely more funny than veg. Put them together and we are really, virtually (as it were) the unstoppable Veggie Vag!

The cool thing is that between the 3 of us we’ve edited grants and “About” pages and difficult emails and cover letters. I got an amazing logo by being a member (thanks Christa!) and we’ve all  had a lot of success with the things we’ve edited for each other. Not only do we have this ah-mazing faux company together, we are quite useful to each other. Keeps us in regular contact too, which is brilliant!

Here’s what my co-founders have to say about Veggie Vag:

Lindsay Zier-Vogel: The Veggie Vag is an editing machine, a sounding board, a safety net and cheerleading squad. It’s a place to daydream and blue-sky and hammer out details. Every grant and proposal and project description that passes through these diligent hands is all the better for it. It’s a thoughtful and hilarious editing collective that keeps three of us closer than I ever could’ve imagined. Whoopi, Cate and Julianne should be so lucky to play us in our biopic …

Christa Couture: What started as occasionally asking friends for editorial advice grew into a collective, not quite formal, but steadfast and dedicated, of three women supporting each other’s work. My own work is better for the input of the Veggie Vag, and I love being up to date with, if not also being helpful to, the work of my co-Vag-ers. The Veggie Vag is friendship and artistry combined — a team of writers, thinkers, brainstormers, schemers, planners and best of all cheerleaders … cheerleaders in yellow pant suits and berets. Or spandex. Depending.

[IMPORTANT ASIDE: With “yellow pant suits and berets” Christa’s referring to Je M’appelle Steve, a brilliant YouTube clip we at Veggie Vag like to watch over and over til we cry with laughter. The more you watch it, the funnier it gets.]

Veggie Vag even has an assistant! His name is Dane. Dane Joseph McKellen. He’s fabulous. He’s shower fresh even at 4pm. He anticipates our needs. Dane shows up with a latte just before you realize you need one. Dane reminds you of impending deadlines and copies all the grants. Dane keeps extra mascara and tampons in his desk drawer. Dane orders Thai when you’re working late. Dane put fresh flowers on your desk and clears the boardroom air with aromatherapy.

I could go on and on about Dane, he’s a gem. Dane even has a twitter page, of course, @daneofalltrades. If you’d like to check him out, drop him a line to tell him he’s doing great or ask for some wardrobe advice, do it! But don’t try and lure him to your company, he’s ours and is as loyal as the day is long.

I got mugs made for our 1st anniversary this month. Dane reminded me that it had been a year since we named ourselves and signed the lease on our excellent, 2,800 square foot downtown Toronto loft offices. He suggested that mugs would be particularly classy. I agreed. And every morning I drink tea and think of my Veggie Vag ladies, standing by should I need some extra eyes and perspectives. Or a laugh. Or commiseration.

I am a dreamer. I love imagining and make-believing and creating — so much so that artist and creator became my profession, it seemed inevitable and obvious to me from a young age. I choreograph and dance, I make and inhabit worlds and ideas of my choosing and construction. I sew and craft, imagining and creating what I hope or suspect might work in fabric or paper.

I also spend a few hours teaching creative dance to wee kids each week, which allows me to gallop as a horse, swirl as a wind storm, dart as a fish. It’s a space to remember the fantastic, immense imaginations we are born with. That we have the capacity to believe the impossible into all-sorts-of-possible at our start, but often squelch or embarrass or forget that faith right out of ourselves.

Cheers to make-believing, even, or perhaps especially when you’re an adult. That’s it for this Veggie-Vagger, over and out.


Springing and travelling and gathering myself

Folks, it’s spring, I smell it. I saw a Robin. I heard a Robin. I saw heaps of Crocuses. Rudi picked one, stopped the stroller of his own volition and worked it into Gene’s sleeping hand today. Is there anything better than dimpled fingers on the first crocus of spring?

My blog was quieter than usual last week because I was away from my desk and my everyday life. I took a trip across the country to Victoria with my wee-man Gene to stay with one of my best friends in the world, commencing a 3-day “vagilogue” as my husband so tactfully put it. My heart and mind got filled up with the true solid, friendship, the kind you can slip into easily, years folding up on one another, marrying now and “the last time.” I feel super buoyed up even if I’m physically exhausted from solo travel with a baby and too many time zones!

At 6-months Gene was a spectacular traveller. He happily boarded 4 planes in 5 days, did a lot of sleeping, nursing, watching airport lights, and peek-a-booing with friendly dudes behind us. He even met his uncle Dave for the first time on a strategically planned layover and he snuggled his Alberta Gran-E (obviously that’s her rapper name. She’s a granny + her name’s Elaine … you see where I’m going with this, my mom is so cool!). I also ran into 3 friends from my teenage life in Alberta 17 years ago — how nice for that to happen in real-alive-life rather than on social media, as much as I truly do love the book of faces and the twits.

And now I’m excited to be getting back into the groove of my life, surrendering happily to this utterly moment-to-moment existence as a full-time mom on maternity leave with 2 wee ones who’s also trying to get ready to hit the ground running with her own work — sewing, editing, choreographing — when the formal mat leave is up. I am working hard and gaining at my practice of simplicity in a moment, being present right where I am, which, to be totally honest, is usually: feeding, doing dishes, thinking about sweeping up the dust bunnies, reading (to clarify: not my own popular novel or work of complex theory but more of a librarian-reading-to-the-poo-joke-loving-masses), cooking, thinking that 5 months is too long to wait for a hair cut, walking to the park, colouring, thinking about blogging, playing, getting vomited and/or pooed on, thinking how long is it since I washed my hair, huh, and so on, you get the picture.

But I’m also keenly aware of the things I want and need to do to keep my adult self and creativity sharp. I keep them tucked in a brain-drawer during most of this extravaganza that is the current norm and at the end of the day, I take time to weigh what’s really necessary for the coming one, and to be reasonable with myself in order to have the personal wherewithal to meet the necessary and leave a little for the desired. Thus not a lot of action on my sewing-work front, but good plans for when the time arrives to make it all happen for reals. I live in hope good people, keep the faith!

Adventures in …

… BABY FOOD!

My little Gene-bean is now 6 1/2 months old. He’s been gnawing on veggies, toast crusts, fruit, hunks of meat, generally taste-testing anything we’re eating for the past few weeks. With his big brother Rudi, I did the widely perscribed and accepted intro to eating through a series of different cereal, but I found it oh so bland, boring, messy and altogther uninspired. So with Gene, we’re trying something different — he’s eating what we’re eating (within reason!).

I was making soup last week so I separated out some yams and turnips before fancying up my seasoning and blended them on their own. And then I borrowed a technique from my dear friend Angela: once blended, take a spoon and throw down “splats” (splat being the technical term in this highly technical and specific process, ahem) of blended veggies on a wax paper covered cookie sheet. Then freeze said splats, remove them from the sheet and have baby-sized splats stored in tupperware or freezer bags, ready to pop into a pot for a 2 minute warming and presto! Super gorgeous baby food. And I only have to make a batch every couple of weeks. Awesome. Here’s Gene’s first ever round of yams and turnips:

… TRAVELLING WITH A SOOTHER!

I was very judgemental about soothers/pacifiers/dummies before I had Rudi. Then I had Rudi. And he was a sucker. And anything that soothed my baby made sense, so I gave and a soother family we became. I feel just fine about it! To each his/her (pronouns just for you Angela, bloody capital-F Feminist!) own I truly feel. But I digress, this adventure is not about to soother or not to soother, it’s about how to hang onto the dang things if you use ’em.

Gene and I got on a plane 3 days ago. The day before, as I watched the soother fall out of his mouth and roll around and around my (obviously sparklingly clean, ahem ahem) dining room floor I remembered: I needed a soother holder, I had no time, I didn’t want to spend $9 on some ribbon and a clip, I sew. I added it up, looked around, saw my beloved sheep-and-black-sheep ribbon roll, some twill tape from a 4-pack of Beau’s beer and a sports lanyard of my husband’s.

I knew what I had to do.

The clip from the lanyard was quickly cut off, the ribbon sized up against Gene’s (unaturally, hilariously long) torso, the twill tape turned inside-out so as to appear plain and un-beer-related. I sewed, I came up with this:

It works like a charm and I got compliments all over the airport. Notes to future travelling self: 1. shoulda brought an order form, 2. need to take business cards.

… BEING QUIETLY AWESOME FOR YOURSELF!

Sometimes you need to add a little personal-awesome to your ensemble for yourself. A private joke for you. I like love adore Harry Potter.  I must not tell lies. So when I got an awesome faux patent diaper bag just before Gene was born, I knew I had to jazz the lameish logo up a bit. So naturally I sourced a Gryffindor patch and sewed that sucker right over the offending label.

And now I am infinitely cooler as I walk along with my bulging bag. Almost no one has noticed, but I love it. It’s like wearing leopard underwear, privately knowing that you’ve spiced, jazzed, expelliarmused it up a notch!