Tag: paint samples

Paint Sample Valentine Bunting

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Happy Valentine’s Day! Yes, the big V day is here and I do so love to embrace the day of love, not so much in the couple-y sense, but in the wider, appreciating the people and things around me sort of a way.

And it inspires all sorts of craftiness in people far and wide, which is so excellent!

I, along with the rest of the crafty world, have fallen for buntings in the past couple of years and envisioned this one just last week while standing in front of the paint samples at Rona. Didn’t know if I’d have time to make it happen but I squeezed it in, threading hearts in the driveway while my sons pretended to drive in my stationary car (side note/free parenting tip: this is an excellent way to buy some time, just let them sit in the driver’s seat and go go go til they’re spent. If the horn honks, it just spices up the neighbourhood). My husband brought in a couple of snowy, errant hearts that I’d dropped when he came home later, hazards of crafting on the go.

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I adore paint samples. The the graduation in colour, the heavy texture of the paper, the free-ness, the often-ridiculous commercial names of the colours. Here are some good ones from this bunting: Irish Rose, Grape Vineyard (is there any other kind?!), Satin Serenade, Ballerina Slipper (waaaay off, much darker than an actual ballerina), Very Pink (in case of confusion), Grape Jamboree, Vintage Violet (exactly as you’d imagine), Strawberry Crush, Frankly Scarlet (could you settle for any other red after reading that?), Valhalla (Norse gods always make me think violent fuchsia, of course they do!), Canterbury Lane, Peppermint Pink (nice contrast in terms), Redfeather, Purple Polka (I’d take that dance), Vibrato, Regal Robe (just to end on operatic notes). Names aside, I simply find paint samples satisfying to look at. Plus they are a great, free art/crafting resource. One that I take liberal advantage of.

Here’s a little how–to:

1: get yourself a big stack of purple and pink paint samples

2: cut out a heart template that fits on your paint sample. Since my samples were rectangle, I made a heart that fit twice on each page

3: cut out a lot of hearts!

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4: hole punch 2 holes in each heart (that sounds so harsh!), one in each hump (that word alway sounds dirty to me …)

5: thread a ribbon or a piece of bias tape — I found some excess burgundy bias tape lying around that did the trick — and cut to desired length

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6: thread ribbon through holes in hearts starting from back-to-front so that the heart looks “stitched” across the two humps

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7: et voilà! Valentine bunting! And you can store it away for next year, leaving time for new love crafts …

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Rearview Fridays: Paint Sample Art

Today’s Rearview Friday is my paint sample art — a piece I made to brighten our bedroom wall last year. I’d found a stash of leftover paint samples from another project (which I describe below) and the muse woke up!

It’s an quick and dirty way to make a beautiful (if I do say so myself!) piece of art. I think I’ll make a how-to for it soon, so stay tuned!

Now why did I have a stack of paint samples tucked away? Press on …

When I present my dance work, I like to make unique program inserts, something to treasure, a little piece of art that supports the dance. In the spring of 2008, I created a dance about Achromatopsia (colour blindness). I used paint samples as my program inserts and put a quote from Dr. Oliver Sacks on the backs of them, a teaser to whet the audience’s curiosity. I’ll eventually include a Rearview Friday post about the dance, a piece called A|Chromatic.

The quote is awesome, I’ve gotta share it too:

“What, I wondered, would the visual world be like for those born totally colour-blind? Would they, perhaps, lacking any sense of something missing, have a world no less dense and vibrant than our own? Might they even have developed heightened perceptions of visual tone and texture and movement and depth, and live in a world in some ways more intense than our own, a world of heightened reality – one that we can only glimpse echoes of in the work of the great black-and-white photographers? Might they indeed see us as peculiar, distracted by trivial or irrelevant aspects of the visual world, and insufficiently sensitive to its real visual essence? I could only guess, as I had never met anyone completely colour-blind.”

Dr. Sacks wrote about Achromatopsia in his book Island of the Colorblind, a fascinating read. I was drawn to explore the idea of colourblindness — black and white vision — in my dance project because my mother and aunt were both born with Achromatopsia. And in spite of literally growing up alongside someone so close to me whose eyes see so differently than mine, I was/am hard-pressed to imagine what the world is like through a constant black and white lense.