Tag: sewing

Quilting Challenge: May

May is almost done, how is this possible?! For my 2012 Quilting Challenge, May’s contribution is a bit of a cheat, I’ve been quilting this shape for ages, but I need it in my arsenal of designs! It’s the heart of course, my go-to infant quilting shape. Herm. My May-heart is not photographing well, it’s camouflaged in the foliage. But it’s there, I assure you!

Since my dad’s heart has been struggling more than usual this month, and because a little boy named Ford would have been 3 years old this month but for his broken heart, the heart seemed like exactly the right choice for this month. I remember and love and carry them in my own heart. And I count my blessings …

Here’s January through May, the garland of quilting options is growing!

My Auntie Kath taught me how to cut out a pattern from paper and then sew around it, until then it seemed magic that she could sew perfect hearts into her work. Kath’s sewing remains magic to me (even if she’s revealed some secrets to me!) she’s meticulous and joyful about her work, utterly inspiring. I think of her often when I’m at my machine. My hearts are still not perfect, I probably work a little too fast and recklessly for that, but then, who’s heart is perfect?

More Felt: pinwheeling, flapping, waltzing

I am buried in the costuming job that I mentioned last post. I’m having so much fun! Miles of thread have been wound and stitched and the cuteness continues to reveal itself. Here are some of the finished pieces so far.

Felt pinwheels, one for each shoulder against a red tutu, how cute will that be?!
The Pizzicato Polka dancers get geometric headbands with their pinwheel brooches. This headband is one of my new favourite things to make, so easy. So hip! I kind of want an adult sized one.
Little Flapper headbands — they’ll have black pearl necklaces tied in a knot and big felt flowers at their hip too. My teeth hurt from thinking about the cuteness!
Petal headbands for wee flower-waltz dancers.
Felt crowns for the Aquarium dance — they go with a turquoise bodysuit and tutu, then a palm-sized goldfish will pin on the hip. I think turquoise and orange is one of my favourite colour combos ever! Almost finished, just gotta hand stitch the bottoms closed. Better get back to it …

Adventures in Felt Costuming

I’m working myself silly on a fantastic costuming gig for Movement Lab dance studio in Toronto. I’ve known the director Ann-Marie Williams through the dance community for years, our paths crossed as students and professionals dancing and administrating our favourite art form! So when she asked me to do all the decorating pieces for the basic tutus and bodysuits she had for her show I jumped at the opportunity.

No frilly, nauseating princessy-ness here, no ma’am! All the pieces are being made from felt, glorious felt! Wherever possible, the pieces (like the gold fish above) will be attached to a brooch pin or a barrette or a headband so that they can also be used afterward, separate from the costume.

I’m off to a good start and will have some finished pieces to share next week. Now back to the machine with me!

Aflutter Over the New Quilt

I finally finished the bird-patterned quilt I’ve been planning and working on over the past few months. This was the project that kept getting bumped aside for other more pressing matters and crafts. But its time has come! I present the Birdie Quilt and Burping Pad Combo.

I plan to carry this set on my Etsy store when I’m up and running in the summer, so the next step is to make some more sets. I am so happy with how this design came out. I like the big, chunky blocks and have always been attracted to baby stuff made with strong colours and a pattern that’s not so common.

Unfortunately in my photos you can’t really see the leaves sewn into the black blocks on the quilt, but they’re there! I am slowly increasing my photographic skills because of this blog, but the black fabric stole the light and I couldn’t find it. Will experiment more, am open to suggestions …

On the simple, flannel side of the burp pad and the blocked side of the quilt I used green thread so that the quilted leaf design would stand out. It’s fun to quilt this pattern free-hand on the machine, reminds me of painting or sculpting. Probably my favourite of the process!

The busy side of both pieces is stitched with white thread. The leaf quilting almost needs to be felt to be seen amidst the birds and foliage. I hope the detailing invites fingers to touch and baby cheeks to rest peacefully.

I’ve been reading and thinking about pricing and perceived value. Burping pads, my speciality, are just not that cost effective. The ones I make are relatively labour intensive but there’s a limit to what people will pay for such things and it’s not a lot more than a super fancy latte! I see a lot of sewers undervaluing their work on Etsy, burping pads for as low as $2.50 with a median of about $8 per pad, which I find totally ridiculous and frustrating. I think it may be one of the great failings of such a platform, that value gets diluted with uneducated or timid artisans not really understanding how to value their work. Because mass-produced brand names versions often go for close to $20 per pad! Anyways, I’m slowly working on the math to find the sweet spots for pricing my work.

The idea to pair a pad with a quilt is something I’m going to try since consumers seem to be willing to pay more for a quilt; perhaps the overall square footage of the item persuades them?! And I like the idea of these 2 items together, perfect for a new baby gift. My slow advance on cottage industry continues …

PS: I wrote this entry with a sleeping 8-month-old draped across my arm and lap. My wrists have been performing acts contortion in order to type! Insane perhaps, but I find that getting my blog post ready the night before is more enjoyable and practical for the most part. It’s just too hard to get a long chunk of time at the computer amidst the littles and isn’t fair to them. And I really am enjoying blogging, it’s helping me keep on some kind of task creatively I am surprised by how much I enjoy the act of writing and sharing here. Over and out.

Sewing for Girl Birthdays

My 4-year-old son has 2 very excellent friends who happen to be girls. Their moms and I have become bosom-buddies through our kids and all 3 of the widgets take creative dance together at The School of Toronto Dance Theatre’s Young Dancers’ Program. I adore having 2 boys and no girls, absolutely no regrets. But I myself am a girl, and I really do love me some cute little skirts and dresses now and again.  So I just have to buy or make them for Rudi’s friends when the spirit moves me (he’s long-since informed me that girls wear skirts and dresses, the gender-differentiation train has left the station). And girl birthdays create opportunities to make delicate, girlie things that I cannot resist!

Above is a little fairy-princess dancing skirt to flit through imagination-land in. I used a section off an extra set of $6 Ikea net curtains I have lying around and raided my extensive ribbon collection. And ric rac. I do so love ric rac, I aspire to expand my on-hand collection. I love making something that’s princessy but not Disney-princessy (shudder). Just generally wafty and floufy (technical terms, I’m all about them), cause really, it’s all about how that fabric feels when it grazes your legs, that’s what makes me feel the most magical or royal anyways.

Then of course one needs a general sceptre or wand at hand. This one I made for the princess and pink loving friend of Rudi’s — error, I had no pink felt so I went with purple. This was not the best choice but I think she may accept it eventually! I had to add the orange star ribbon for a bit of sass. Reports are that her 3-month-old sister is mesmerized by the ribbon movement, unexpected bonus!

And lastly, for Rudi’s friend who loves purple and dolls (she’s always got one in tow and cares for them like her own kids), I made a little sleeping bag and pillow set. It was so much fun and took me back to the days when I’d envision, concoct, create and finish a project over the course of a lazy weekend day as a kid. Back when a day 0ff seemed endless and rolled past slowly and deliciously, ripe with possibility.

I guess that’s what it comes down to when I sew for girls specifically, it’s a little trip down memory lane, close to my heart and my own experience.

Rearview Fridays: Juliet doll (best H.S. Eng. project ever)

This may be the oldest project of mine that I ever manage to feature here on Rearview Fridays! It’s a doll I made for a high school project, circa 1994. I remembered her when I featured a couple of other dolls I’d made a few years ago on a recent Rearview Fridays post. I can’t believe she’s in such good condition and that I’ve managed to carry her with me all these years.

May I introduce, Juliet Capulet:

In Alberta’s grade 10 English curriculum, Shakespeare’s Romeo and Juliet was par for the course. I had as awesome English teacher, Mr. Young, hands down the most inspiring teacher of my high school career. He was a great juxtaposition of art and jock. He’d been a wrestler in his youth, injuries sustained made him walk with a roiling gait, and he had these giant forearms. He was also passionate about basketball, running a huge national invitational basketball tournament every year. On the other hand he taught English, was the head of the department, and ran the school’s Shakespeare Club (of which I was a member of course). And he was utterly passionate and practical about language and stories and history.

Every year he assigned one project where we could do anything BUT write an essay. Our teenage-minds were blown! It was an arts high school, called Victoria Composite High School at the time and we were exploding with creativity. The excitement was palpable for this assignment in the 10AP class. I think I learned more about Shakespeare and Romeo and Juliet and their times because of this project. I researched clothing, costumes, hair, payed close attention to the details of the play. One girl made a dance film, monologues were performed, a guy even forged a sword. Forged a sword! I made a Juliet doll — shocking, I know.

As I look at her today, I am amazed at my 16-year-old self. I started with a basic Waldorf doll, which I figured out myself by looking at other ones. I remember being so proud of how her eyes came out, painting lips and irises with such care. I picked natural fibres like cotton, wool and cotton velvet, dyed the fabric for her skin with tea, did a lot of the stitching by hand. Her hair is black cotton yarn, thick and waist-length. I crocheted burgundy lace for her dress, I even crocheted a snood, a freaking snood! I want to squeeze my overachieving, unstoppable self from 1994, tell her that she’s awesome. That she shouldn’t take the next 16 years to really feel comfortable in her skin because she’s great, extraordinary as is.

Juliet has a little lace and cheesecloth slip that ties at the back, it’s so sweet and innocent. Her dress is rich and heavy and closes with hooks and eyes at the back. Then to top it all off there’s a secret pocket under the top layer of the dress with a wee foil dagger and a corked foil vial, which, of course, has green beeswax in it so if you uncork it you see “poison”. Of course. Cause I like details. Ahem.

Mr. Young really believed in me and encouraged my shy, unsure self to trust my natural writing abilities. I am still surprised that I ended up working as a writer editor and administrator at a magazine for over 10 years without planning or training in that direction, but I think a lot of it has to do with some seeds of trust and inspiration planted in me by Mr. Young. I am forever grateful.

I’m also amused to remember that I simply am a creative creature, it’s who I’ve always been and who I am delighted to continue to be.

Cheers Juliet. Thanks for the memories.

Rearview Fridays: birthday loot bags!

I’m in birthday mode since I have a 4th birthday happening in my household tomorrow. So I thought it’d be apropos to dig up some crafty goodies from the last couple of birthdays I’m put together for my boy for today’s Rearview Friday.

— — —

Rudi’s 2nd birthday party was lovely, the kids painted with water colours outside in the crisp spring air. Then we used the paintings to make frames for photos of his guests that we took throughout the party and printed up on the spot. I made loot bags out of some awesome hot pepper fabric I had lying around, waiting for just such a  moment. I adore little bags and containers, I am a squirrel after all! So I take loot bags seriously. Full Stop. No plastic junky ones for this lady, no sir. I make reusable ones that come in handy later on for, say, taking a few Hotwheels to Nana’s house!

I’m not much of a baker. But I aspire. And sometimes I reach too far. But I was pretty darn happy with these nuggets of awesome — cupcakes in cones. They were  great for newly-2-year-old hands to handle:

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Last year, for the 3rd birthday, it was cowboy time. Toy Story 3 and the ever-charming Woody were a big hit with Rudi at the time, but I tried valiantly to tip-toe around the Disney versions and keep things a bit more general cowboy-ee (thank you Waldorf for my auto “cringe at commercial” reflex!). I made “party hats” that looked like little cowboy hats (attached around with elastic):

And the reusable loot bags were small canvas feed bags. I stamped the little guests’ names on them and actually carved stamps — a cowboy boot and a horseshoe — from erasers after being inspired by the lovely Japanese blogger Mairuru. I loved carving them and remember spending one late, quiet night working on them while Rudi slept inexplicably long on the couch beside me, as happens with kids once in a blue moon.

Super Birthday Cape!

There is a birthday in the wings at my house. On Saturday Rudi turns 4!

I rarely get to my sewing machine to make 1-off projects for my own kids anymore. But I really wanted to make him something by hand from me for this birthday and a cape seemed the obvious route to go since he’s super-duper into being SUPER these days. So I burned some midnight oil and made a pattern, and it’s on it’s way to being done:

A slippery sport-jersey side with a giant, super R-for-Rudi “R”:

And a navy cotton side with an outer space patch for my “planek” loving laddie. I hope he never learns to say planet. Planek is so very cute.

Give me a half hour with this baby tonight and I’ll have the hem done and a collar with fastener made. Then the wrapping begins. And the excitement mounts!

A few weeks ago, Rudi was wondering how to write his name, so I showed him. And he worked so hard to do it, I had to take a picture! What a wonderful revelation to find the letters that make your name and to be able to make them with your own hand. He’s so proud. Shoot, I’m so proud! Here it is:

And then my clever, amazing, ultra-productive friend Lindsay Zier-Vogel took that first scribing-of-the-name and …

… wait for it …

… embroidered it for his birthday! Rudi is delighted, I’m verklempt. What a profoundly simple, special gift  idea, thank you Linds. And here it is, being shown off by the just-about-4-year-old hands:

Rearview Friday: Costume Dolls

I was talking about dolls with a friend last night and my mind wandered in it’s dusty reaches to recall some of the dolls I’ve made in the past. I think it’s time to share these little ladies for today’s Rearview Friday!

I made them, wee versions of us, as a gift for my co-choreographer Lindsay Zier-Vogel on the premiere of our dance work Edith and Eliza in the spring of 2006. The dolls are based on Waldorf dolls (that’s right I was a Waldorf kid! And I have a deep sentimental fondness for these little dolls with the simple faces). If you want to know more about Waldorf dolls, I found a lovely how-to here by Amber Dusick, who also happens to be the brilliant lady behind Parenting. Illustrated with Crappy Pictures. I am a big fan. You probably should be too.

Anyhoooo, back to the dolls: in addition to sort of looking like Lindsay and me, the dolls are dressed in tiny versions of costumes from 2 of our collaborative dance projects, seen in full size and context below. As you can see they each have an envelope. This is because part of our creative process for Edith and Eliza was to actually write and post letters to each other as “Edith” and “Eliza”, fictitious war brides we created to develop a story behind the dance. Some of the text from these letters was woven into the soundscore as a narration. Each letter snaps onto the dolls hand and actually has a wee letter in it. Because I am awesome. And obviously humble. But seriously, it was a really fulfilling creative process. The the doll making was a cherry-on-top project in the fun department.

The dances that the doll’s costumes were made to honour:

Susanne Chui and Jennifer Dallas in Whistling Matilda, a dance film by Rhys Brisbin, Susan Kendal and Lindsay Zier-Vogel, 2004. Photo: Linsday Zier-Vogel.
Susan Kendal in Edith and Eliza by Susan Kendal and Lindsay Zier-Vogel, 2006. Photo: Ted Zier-Vogel.

And lastly, our lovely selves with the dollies. Just before we went into the theatre for the premiere. Edith and Eliza and the costume dolls were the last major dance and crafty-sewing projects I worked on before becoming pregnant and a mommy. Feels like a lifetime ago, but not in a bad way. Just a “huh” way. Life was so utterly different then!

Susan Kendal and Lindsay Zier-Vogel outside the Winchester Street Theatre, Toronto. Showing off the costume dolls just before the premiere of our work Edith and Eliza, part of the Series 8:08 Season Finale, May 2006. Photo: Andrea Roberts.

Cheers to art, all kinds of it, making our lives so full. Happy Friday folks.

Quilting Challenge: March

In the continuation of my 2012 Quilting Challenge to myself I present my March quilting pattern, the acorn! It’s joined here in birth order by leaf and apple, January and February’s offerings respectively.

One more pattern to use on my quilts and burping pads, done.

I love nuts. That sounds a bit wrong but I’ll leave it, cause it’s true! I don’t remember ever seeing a chestnut or an acorn on the ground in Alberta, but they’re everywhere here in Ontario! And while the colour and texture of a chestnut is fantastic, it’s a bit of a blob when it comes to outlining it, not so inspiring. But an acorn, what a charmer! A lovely shape, makes me think of gnomes and chipmunks and quiet, mossy spaces.

I love this acorn in it’s singular context. I might dial the detail down a bit more when using it on a quilt or a burping pad, not sure that the crosshatching is entirely necessary in a different context. Anyways I’m really enjoying this 12-part challenge. Something to look forward to and muse upon. Now I get to cook up April’s quilt …